近年来，“新水墨”与“新工笔”可谓大行其道，传统绘画反而颇受冷遇。大写意花鸟因题材与内容的限制，再加上对画家基本功与艺术表现力的要求过高，以至于少有人能有所建树。执着于这一门类进行创作的人越来越少，被现代艺术表现掳走的艺术家越来越多，因此解决写意花鸟画如何承继与发展这一问题便尤显迫切。
In recent years, "New Ink" and "New Brush" have become popular, but traditional painting has been rather cold-hearted. Because of the limitation of subject matter and content, and the high requirement of basic skills and artistic expression of painters, few people can make achievements. There are fewer and fewer people dedicated to this kind of creation and more and more artists who have been taken away by modern artistic expression. Therefore, it is urgent to solve the problem of how to inherit and develop freehand flower-and-bird painting.