书法的内涵主要包括以下几个方面的内容：
The connotation of calligraphy mainly includes the following aspects:
1、 书法是指以文房四宝为工具抒发情感的一门艺术。工具的特殊性是书法艺术特殊性的一个重要方面。借助文房四宝为工具，充分体现工具的性能，是书法技法的重要组成部分。离开文房四宝，书法艺术便无从谈起。
1. Calligraphy refers to the art of expressing emotions with the four treasures of the study as a tool. The particularity of tools is an important aspect of the particularity of calligraphy art. With the help of the four treasures of the study as a tool, fully reflects the performance of the tool, is an important part of calligraphy techniques. Without the four treasures of the study, the art of calligraphy can not be talked about.
2、 书法艺术以汉字为载体。汉字的特殊性是书法特殊性的另一个重要方面。中国书法离不开汉字，汉字点画的形态、偏旁的搭配都是书写者较为关注的内容。与其他拼音文字不同，汉字是形、音、义的结合体，形式意味很强。
2. Calligraphy takes Chinese characters as its carrier. The particularity of Chinese characters is another important aspect of the particularity of calligraphy. Chinese calligraphy can not be separated from Chinese characters. The form of Chinese character dot painting and the collocation of side are the contents that writers pay more attention to. Unlike other Pinyin characters, Chinese characters are a combination of form, sound and meaning, with strong formal meaning.
古人所谓“六书”，是指象形、指事、会意、形声、转注、假借六种有关汉字造字和用字的方法，它对汉字形体结构的分析极具指导意义。
The so-called "Six Books" of the ancients refers to six methods of character formation and use, i.e. pictograph, reference, understanding, phonetic form, transliteration and borrowing, which are of great guiding significance to the analysis of the shape and structure of Chinese characters.
3、 书法艺术的背景是中国传统文化。书法植根于中国传统文化土壤，传统文化是书法赖以生存、发展的背景。我们今天能够看到的汉代以来的书法理论，具有自己的系统性、完整性与条理性。与其他文艺理论一样，书法理论既包括书法本身的技法理论，又包含其美学理论，而在这些理论中又无不闪耀着中国古代文人的智慧光芒。比如关于书法中如何表现“神、气、骨、肉、血”等范畴的理论，关于笔法、字法、章法等技法的理论以及创作论、品评论等等，都是有着自身的体系的。
3. The background of calligraphy art is Chinese traditional culture. Calligraphy is rooted in the soil of Chinese traditional culture, which is the background for the survival and development of calligraphy. The theory of calligraphy since the Han Dynasty, which we can see today, has its own systematicness, integrity and orderliness. Like other literary and artistic theories, the theory of calligraphy includes not only the skill theory of calligraphy itself, but also its aesthetic theory. In these theories, the wisdom of ancient Chinese scholars shines. For example, the theory of how to express the category of "spirit, qi, bone, flesh and blood" in calligraphy, the theory of techniques such as writing, calligraphy and composition, as well as the theory of creation and commentary on works, etc., all have their own systems.