范晨生，男，2010年考入天津美术学院油画系第一工作室开始学习。在校期间担任系学生会副主席、策展部部长，并荣获“三下乡”社会实践先进个人荣誉称号、二等奖学金、“学业突出、学科竞赛”奖等各类奖项。
Fan Chensheng, male, was admitted to the first studio of the Department of oil painting in Tianjin Academy of Fine Arts in 2010. During the school, vice chairman of the student union, Minister of curatorial, and won the "three countryside" social practice advanced individual honorary title, two scholarships, "academic excellence, discipline competition" award and other awards.
艺术履历
Art History
1999获中日少年儿童美术书法摄影比赛优秀奖
1999 won the excellent prize for art, calligraphy and photography competition between Chinese and Japanese children
2003年开始学习西方绘画
In 2003 began to learn western painting
2003获新乡市青少年书画大赛一等奖
2003 won the first prize in Xinxiang Youth Calligraphy and painting contest
2004获河南省青少年书画大赛一等奖
2004 won the first prize of Henan Youth Calligraphy and painting competition
2005获新乡市青少年书画大赛一等奖
2005 won the first prize in Xinxiang Youth Calligraphy and painting contest
2010 进入天津美术学院造型艺术学院油画系第一工作室学习
2010 enter the first studio of the Department of oil painting in the school of plastic arts of Tianjin Academy of Fine Arts
2011 《素描全身像》被天津美术学院造型基础部收藏
2011 "sketch like a whole body" was collected by the Department of basic modeling of Tianjin Academy of Fine Arts
2011 《被冷落的静物》参加《马利艺术创作奖展》三等奖  天津美术学院美术馆
2011 "neglected still life" participated in the three prize of Marley prize for art creation, Tianjin Academy of Fine Arts Art Museum
2011 《被冷落的静物》《孤》《大卫》《白发老人》被私人收藏
2011 "desolate still life", "orphan", "David", "white haired old man" by private collection
2012 《静思》参加《凤凰画材奖学金展》一等奖  天津美术学院美术馆
2012 "in the" phoenix "meditation painting exhibition" Art Museum of Tianjin Academy of Fine Arts first prize scholarship
2012 《走》系列 参加《温莎牛顿之星作品展》三等奖 天津美术学院美术馆
2012 "go" series in "third-prize Winsor & Newton Star Exhibition" Art Museum of Tianjin Academy of Fine Arts
2012 《静思》在嘉德四季第三十期拍卖参拍并成功拍卖
"2012" in the thirtieth period of meditation Guardian quarterly auction and auction
2012 《对话》《枯》参加《马利艺术创作奖展》三等奖 天津美术学院美术馆
2012 "dialogue", "withered" to participate in the "Marley prize for art creation", "three prize", Tianjin Academy of Fine Arts Art Museum
2012 《45度的阳光》《沂蒙小调》《红房子》被私人收藏
2012, "45 degrees of sunshine", "Yimeng ditty", "red house" by private collection
2013 参加“芳草地画廊798 开幕展： Parkview Green Art 798,    Opening Exhibition: “能动的结构”——80后新一代年轻艺术家邀请展 ”。《对话》、《枯》、《浮夸》、《时间》、《微型世界》被画廊收藏。
2013 in the "fragrant grass Gallery 798 opening exhibition: Parkview Green Art 798 Opening Exhibition:" dynamic structure "-- 80 new generation of young artists exhibition". "Dialogue", "withered", "exaggeration", "time" and "miniature world" are collected by art gallery.
2013 《累》参加““相约·油画”2013’中国八大美术学院油画系优秀本科生纸上绘画作品展 ”，并被“相约·油画  2013‘  中国八大美术学院油画系教师论文与优秀本科生纸上绘画作品集”收录。
2013 "tired" to "meet - Painting" 2013 "China eight oil painting department of Academy of Fine Arts for outstanding undergraduate paper painting works exhibition", and "2013" - similar painting teacher Chinese eight oil painting department of Academy of Fine Arts with outstanding undergraduate painting works on paper collection included.
2014 《纯粹》入选“第十二届全国美展作品征选暨天津市美术作品展
2014 "pure" was selected in the Twelfth National Art Exhibition selection and Tianjin City Art Exhibition
” 天津美术馆
Tianjin Museum of Art
2015 《纯粹》、《纯粹》系列之黑与白、《对话》、《枯》 “举个栗子”在艺起项目十一人联展  北京 原君美术馆
2015 "pure", "pure" series of black and white, "dialogue" and "dry" "for example" in the art project eleven exhibition Beijing Art Museum Yuanjun
2016  《自由》系列 艺术南京 自·然——LAKE100签约艺术家联合展  南京 百家湖艺术公馆
2016, "freedom" series of art, Nanjing since then - LAKE100 signed artists, joint exhibition of Nanjing Lake Art residence
2016   《纯粹》、《纯粹》系列之黑与白  多元共存——新乡市首届当代油画邀请展 河南 藏佳画廊
2016, "pure" and "pure" series of "black" and "white coexistence" - the first exhibition of contemporary oil painting in Xinxiang, Henan Tibetan Art Gallery
2017  《纯粹》、《纯粹》系列之黑与白   厚重牧业—新乡市中青年油画精品展  河南  新乡老成民俗博物馆
2017 "pure", "pure" series of black and white heavy animal husbandry - Xinxiang City Youth Oil Painting Exhibition in Henan Xinxiang Old Folk Museum
个人画法画风特色介绍
Personal painting style features
绘画经历了漫长的探索与发展，油画静物也从注重对象到注重绘画语言，从注重绘画技巧到注重画家的内心感受，从注重画家情感与绘画形式的结合的阶段。画一个瓷瓶、一个陶罐、一快衬布与画一个人的表达方式是一样的。人物要画的传神才能使画面生动，静物虽然是无生命的、静止的，但一样要“形神兼备”。要把静物画得有生命，令人心动，像人物一样能够传达情感，可以与观者对话。这不仅仅只是形似而已，更重要的是要有情感的投入。静物不单单是静止的，而是具有生命、具有品质的。我觉得描绘一个静物的外形是否准确并不重要，重要的是能否描绘出它的本质特征，能否将自己的感受融入其中，用合适的艺术手法表现出内心感受和内在的美感，将主观情感与客观对象完美融合。面对静物，仔细观察，用心体会，不难发现每个物体都有其独特的质感。例如一个破旧不堪生锈的铜壶和一个外表华丽细腻的花瓷瓶，它们给人的视觉和内心感受是截然不同的，破旧不堪生锈了的铜壶给人以朴素、沧桑的感觉，而外表华丽的花瓷瓶给人以高贵、浮夸的感觉，这是视觉上直观的感受。而静物内在的意义就要与画家的内心感受相结合，被画家赋予与其视觉相符合的意义，破旧不堪生锈的铜壶就好像经过历练和坎坷的穷人，而外表华丽的花瓶就好像有着衣食无忧的富家大小姐。两者不仅在视觉上形成了鲜明的对比，在内在意义上也反应社会现象。
The painting has experienced a long time of exploring and developing, also pay attention to oil painting from the object to the language of painting, from the emphasis on painting skills to pay attention to the painter's inner feelings from the combination of emotion and painter painting form stage. The expression way of painting a vase, a pottery, a painting and a lining is the same. To figure painting can make vivid vivid images, although still is still life, but as to the vivid". Life is still alive, exciting, like characters, able to convey feelings, dialogue with the viewer. It's not just like the shape, it's more important to have emotional involvement. The still life is not only static, but has life and quality. I think that depicts a still life shape accuracy is not important, it is important to depict its essential features, can be their own feelings into one, with the appropriate art showing feelings and inner beauty, the subjective emotion and objective perfect fusion. Facing the still life, careful observation and careful understanding, it is not difficult to find that each object has its own unique texture. For example, a dilapidated rusty copper pot and a delicate flower vase looks gorgeous, they give people the vision and feelings are very different, the dilapidated rusty pot to the plain and sense of the vicissitudes of life, and looks gorgeous flower vase to noble, exaggerated feeling, this is the vision intuitive feeling. But the meaning still should be combined with the painter's inner feelings by the artist given its consistent visual sense, dilapidated rusty brass like after the experience and frustrations of the poor, and the appearance of gorgeous vase like a rich lady feast. Not only are they in sharp contrast to the visual sense, but also in the sense of social phenomena.
当我们坦然面对当今社会，面对大自然的时候，许多东西会打动我们，让我们有感而发，是什么打动了我们?是当今的社会现象，是人与人的各种复杂关系。所以我十分喜欢以静物为题材用写实的手法来表达我的内心感受，来表达我对当今社会的一些认识和看法。
When we face in today's society, in the face of nature, many things will impress us, let us feel, what impressed us? Is a social phenomenon today, all kinds of people and complex relationship. So I really like to use the theme of "still life" to express my inner feelings with realistic techniques, so as to express my opinions and opinions about today's society.
在现如今五彩斑斓的世界里，像玻璃一样透彻、像水一样纯净的人越来越少，他们受到外界各种利益、权势、金钱等等的影响，变得表里不一，变得处心积虑，已经不是那么的纯粹。我对此有感而发想到了创作《纯粹》这系列油画静物。
Now in the colorful world, like glass, like water and thoroughly clean people less, they are all outside interests, power, money and influence, become quite different, become deliberately plan is not so pure. I think this "creative" pure "this series of oil painting.
我选择色彩艳丽的几何图形作为背景，既充分的将点、线、面的构成融入其中，又给人以视觉上的冲击，三角
I choose the colorful geometric figures as the background, which fully integrates the dots, lines and planes into the background, and gives the visual impact of the triangle